By day, she works in tech and by night, she turns lived experience into music.
For a long time, people have tried to separate logic from creativity, tech from art and structure from soul but AiiTee, (Emma Aikamhenze), never believed they had to be divided.
Born in Nigeria and raised in Scotland from the age of seven, her life has always existed between worlds. Nigerian heritage at home, Scottish culture outside, gospel harmonies in church, jazz ensembles at school, coding lectures at university and songwriting in quiet moments between everything else. It looks like a lot and what could have felt fragmented became a rhythm for AiiTee.
Her earliest stages were church halls and community celebrations, spaces where she first discovered not only her voice, but the power of using it. Music gave her confidence long before the world called her an artist.
In Primary 3, during a Robert Burns Day celebration, she wrote and performed her first song, Scotland. This was a small moment at the time, but a defining one in hindsight as that was when the songwriter arrived. As she grew older, she continued building that gift through gospel groups, live performances, and creative collaborations across Scotland. At Albyn School, she joined Fazz Junk, a jazz ensemble that expanded her musical imagination and introduced her to experimentation beyond the sounds she already knew.
While music was growing in one hand, another future was growing in the other which saw AiiTee going on to study Computer Science at Heriot-Watt University, and later building a career in technology and consultancy. Her professional journey reflects the same qualities that shape her artistry, discipline, adaptability, curiosity, and problem solving. This balance tells a fuller story of who she really is.
AiiTee is not just a singer-songwriter, but a woman navigating multiple identities with intention, a creative who understands systems and an artist who also works in innovation and digital transformation. She proves that women, especially Black women, do not have to fit into narrow definitions to be understood.
While balancing her work in tech, she continued building the AiiTee brand from the ground up, performing at local showcases, refining her sound, and slowly becoming one of the most exciting voices emerging from Scotland’s music scene and then came the breakthrough moments.
Her debut EP Love Don’t Fall earned a shortlist spot for the Scottish Album of the Year Award in 2021. Her second EP, Better Days, followed with another shortlist in 2022. She became a finalist for BBC Introducing Act of the Year and gained support from BBC Radio 1, Capital XTRA, Amazing Radio, and international stations. She performed at the Usher Hall in Edinburgh, the Albert Halls in Stirling, and later stepped onto the runway stage at London Fashion Week in 2026, performing while also modelling for designers.
Despite all of these achievements, what makes AiiTee most compelling is her honesty. As an Alté Afro-soul artist, her music carries the emotional texture of migration, faith, identity, ambition, and belonging. Her sound feels fluid because her life has been fluid and a mix of different worlds. Scottish and Nigerian, technical and artistic, structured and expressive. People connect with AiiTee because she has refused to simplify herself to fit expectations and at the same time, creating space for people who have also lived or are living a life such as hers, learning to carry multiple identities without losing themselves in the process.
Through music, technology, and storytelling, AiiTee is showing that duality is not confusion, rather, it is most times, the clearest expression of who you truly are.
